Don’t look for a reason behind Dutch designer Marcel Wanders’ spaces, it may not always be there. But you can count on magic always being present.
While most architects and designers tout form following function as a design philosophy, Wanders has a different perspective. “Luxury starts where functionality ends and where the true value is personal and so has no price or reason,” Wanders once said. He also said that the things he creates are the kind that people would want to save if their house was burning down.
If I had his Knotted Chair, the design that catapulted Wanders to global fame, I’d certainly save that first, too. Or the Horse Floor Lamp that the design label he co-founded, Moooi, produces. But I don’t have either.
Instead, I experience his spaces and gain insights into his design. To be standing in the pool deck of Fairmont Quasar Istanbul and seeing the product of his fanciful imagination is a treat that every design enthusiast would love.
In the glass-walled pool overlooking Marmara Sea and the red rooftops of Mecidiyekoy (okay, let’s call it by its other name, Şişli), Wanders put what seem like trees with globular fruits at the tips of the branches. It’s a fascinating element that pulls your gaze and then suddenly releases it for you to appreciate the panoramic skyline.
What’s on the other side of the pool will also make you smile. In the lounge area with white sunbeds, blue sofas and golden gazebos, Wanders created a garden space “guarded” by statues of ladies with red flowers for clothing and hair.
It’s weird but beautiful…and fascinating. It’s also a nod to whimsy and the designer’s proclivity for the extraordinary.
US-based design firm Wilson Associates, which masterminded Quasar’s overall design, imagined two sisters coming together in the city. “The older sister brought her polished Parisian sensibility, while the younger sister brought her eclectic, contemporary New York flare. Together, they created a design jargon all their own: contemporary classicism.”
Located on a windy hill in the city’s Mecidiyekoy area (after three years, I still can’t pronounce it), the property where Quasar is now used to be a 1930s liqueur factory designed by world-renowned cubist architect Robert Mallet Stevens.
Today, it is the newest star here, a luminous modern ode to a city that prides itself on its thousand years of history.
My wonderful friend Esin Sungur, Fairmont Quasar marketing and communications director, takes us around the hotel. I haven’t seen her in two years but know well enough that on this Eid al-Fatir weekend in June, she’d make the time. And it is a quiet weekend in Istanbul—more so than Manila during Holy Week and Easter, which is saying a lot about the two mega cities.
Istanbuller who are staying for the holiday are at nearby beaches or swimming pools. Here at Quasar, they are enjoying a windy summer day and food trays from Ukiyo restaurant (Japanese for “floating world”) at their chaise lounges while working on their tans.
With the hotel located in busy Mecidiyekoy—a short downhill walk to Cevahir Shopping Mall and a subway skip to Nisantasi or Taksim—it’s a great fit for business and leisure travelers who like some style with their drinks (The Marble Bar just off the lobby) or their tea (Demlique Tea Lounge and Patisserie), and spacious suites overlooking the city.
It’s also for people who love contemporary design. “There’s nothing nostalgic about the hotel, it’s modern all the way. Except for the industrial inspiration from the iconic liquor factory in front of the hotel,” says Esin of the 209-guestroom and 25-suite hotel.
Even in a place where the city’s skyscrapers are located—there are office and residential towers in nearby Levent, the Trump Tower is a walk down the hill, and many more under construction—Quasar’s architecture stands out. The building is silhouetted against the distant yachts and ships crossing Marmara Sea, the view never letting you forget that you’re in one of the world’s greatest, storied cities.
For a property that doesn’t have wide gardens, the architectural firm Wilson Associates managed to create breathing spaces that extend into courtyards like in Alia, a restaurant that combines distinct spaces—the Spice Library, the Raki Bar and two dining rooms, one for mezzes and the other for traditional live grill.
It’s where we celebrate Ramadan Feast. While the holiday is also observed in the Philippines, it’s my first time to experience it with people who practice Islam and are fasting till the sun goes down, today for the last time this year. It’s a very hot summer, which means daylight is long, and so is the fasting.
But even when there are those who do not observe fasting, even when the restaurant’s servers have filled our table with mezzes, not a single fork is lifted, no fast is broken prematurely, until the clock strikes 8:40 p.m.
It’s not just Wanders’ whimsical design elements or the hotel’s attention to detail (the boiled eggs at breakfast in Stations restaurant are wearing knitted caps to keep them warm, which made me laugh like silly) that makes the place special, it’s also the service that makes you feel like you’re an old friend.
At the Gold Lounge, we have a long chat with Recep Kileoglu, the funny and lively manager who shows us how to make coffee from the tap (seriously, it’s like a craft beer tap).
There is an easy familiarity and warmth—like the skyline and the rooftops on the horizon that we watch from the terrace, as if I’ve known them forever.